Shot no. | Shot type | Camera movement | Action | Sound | Shot Duration |
1 | Long shot, establishing | Static | Rita is walking towards camera (as credits roll) | Heels (with music) | 1 minute (to be edited) |
2 | Low angle long shot | Static | Clock tower chiming | Clock chime & heels | 5 seconds |
3 | Extreme close-up | Tracking | High heels on concrete - MUD | Heels | 20 seconds |
4 | Close-up | Pan/whip-pan | Following Rita’s shoes as she passes (turning a corner) | 10 seconds | |
5 | Long shot | Tracking | Rita approaching restaurant from behind | 20 seconds | |
6 | Mid-shot (to be shot twice) | Upward tilt/pan of body, revealing face | Rita pausing outside rest., smoking, drops cig., enters rest. | 25 seconds | |
7 | Low angle mid-shot | Static | Sign/name of restaurant | 5 seconds | |
8 | Establishing shot | Static | Exterior of restaurant/through restaurant window | 5 seconds | |
9 | Extreme close-up | Static | Rita’s shoe stubbing out cigarette (edited in between smoking and entering rest.) | Final line of internal monologue | 10 seconds |
10 | Long shot | Static | Jim sitting wait in restaurant, checking watch | 20 seconds | |
11 | Extreme close-up | Static | Watch face | 5 seconds | |
12 | Long shot | Static | Rita entering restaurant – int. and walking towards table | Hubbub/ music? | 20 seconds |
13 | Close-up | Static | Jim’s face as he notices Rita | “” | 5 seconds |
14 | High angle mid-shot | Static | Jim speaks to Rita | Jim: “So you came” | 5 seconds |
15 | Long two/three-shot | Static | Rita removes gloves and has coat taken by waiter | Rita: “Of course” | 20 seconds |
16 | Close-up of note | Static | Note falls from Rita’s coat to floor | 5 seconds | |
17 | Two shot, mid | Static | Rita & waiter: eye contact | Rita orders a martini | 5 seconds |
18 | Close-up | Static | Jim’s sceptical expression | 5 seconds | |
19 | Three shot, mid | Static | Waiter leaves table | “Certainly” / “What was it you wanted…” | 10 seconds |
20 | OTS– Rita’s shoulder, focused on Jim (first camera) | Static | (Conversation ensues) | “You’re looking good Rita..” to “Oh I…” | 1 minute |
21 | OTS–Jim’s shoulder, focused on Rita (second camera) | Static | (Conversation ensues) | “” (duplicate take) | 1 minute |
22 | Close-up: Rita’s face (first camera) | Static | Conversation ensues, Rita’s evasiveness | “I’m sure I could do that…” (switch camera mid line) | 5 seconds |
23 | Close/mid-shot of Jim (second camera) | Static | Jims wary expression | “” (duplicate take) | 3 seconds |
24 | OTS– Jim’s shoulder, focused on Rita | Static | (Conversation ensues) | “You would?...” “With or without the new dress” | 30 seconds |
25 | Close-up of Rita | Static | Rita arches an eyebrow | 3 seconds | |
26 | Mid-shot of Jim | Static | Jim leans back in chair, continues conversation | “I haven’t seen you lately… all the time” | 5 seconds |
27 | OTS–Jim’s shoulder, focused on Rita (first camera) | Static | (Conversation ensues) | “Well you know…” “How can a girl like you afford couture?” | 1 minute |
28 | OTS- Rita’s shoulder, focused on Jim (second camera) | Static | (Conversation ensues) | “” (duplicate take) | 1 minute |
29 | Close-up of Rita | Static | Rita’s defence | “Why I oughta… I need to freshen up” | 30 seconds |
30 | Mid-shot of Jim | Static | Rita’s defence | “” (duplicate take) | 30 seconds |
31 | Long, two-shot, slightly low angle, then pan follows Rita | Static, followed by pan | Jim sitting, Rita stands, then walks to toilets. | “I love you Jim… straight down the line” | 10 seconds |
32 | Mid-shot of Jim | Static | Jim’s reaction | 5 seconds | |
33 | Close-up (match-on action) | Static | Rita’s hand pushing through door | 5 seconds | |
34 | Long-shot of Jim and Rita’s empty chair | Static | Drums fingers on table, and swigs brandy, notices | 5 seconds | |
35 | Extreme close-up of note on floor | Static | 5 seconds | ||
36 | Mid-shot of Jim | Static | Jim bends to pick up note, and straightens back up to read | 5 seconds | |
37 | Mid-shot to close-up of Jim’s face | Zoom or static | Jim’s reaction as he reads note | 5 seconds | |
38 | OTS, long-shot of Rita | Tilt/pan | Following Rita as she re-enters restaurant area and sits | 5 seconds | |
39 | Mid-shot of Jim (first camera) | Static | Gazing at Rita inscrutably, before speaking | Pauses – “You’re good Rita, very good” | 30 seconds |
40 | Mid-shot of Rita (second camera) | Static | Rita stares back confidently | Pauses - “You’re good Rita, very good” | 30 seconds |
41 | High angle close-up of Jims hand | Upward tilt towards Rita | Following Jims hand with note | 5 seconds | |
42 | Close-up of Rita, slightly high angle | Static | Rita’s reaction | 5 seconds | |
43 | Close-up of Jim | Static | Jim speaking | “But you’re no good for me” | 5 seconds |
44 | Two, long shot | Static, then pans after Jim | Jim drains glass, rises, leaves a banknote and exits the restaurant | 5 seconds | |
45 | Slightly high angle mid-shot from behind | Static | Rita takes note and opens it | 5 seconds | |
46 | Extreme close-up of note in her hands | Static | Audience read the message within | 5 seconds | |
47 | Long-shot of Rita and Jim’s empty chair, then closes in on the table at high angle (first camera) | Static, then moves towards table | Waiter approaches and leaves the drink. Rita pockets the note and smashes the cocktail. She puts on a ring and leaves | 10 seconds | |
48 | Close-up of cocktail (second camera) | Static | Cocktail glass smashes on floor | 3 seconds | |
49 | Extreme close-up of Rita’s hand | Static | Rita puts the ring on her ring finger | 3 seconds | |
50 | Long/mid shot from side | Static | Rita looking in the toilet mirror | 5 seconds | |
51 | Close-up from side | Static | Rita applying lipstick | 5 seconds | |
52 | Long/mid shot from side | Static | Rita puts lipstick away, smoothes clothes and leaves | 5 seconds | |
53 | Establishing shot of exterior of restaurant (as used before) | Static | Rita leaves through the front door and walks off to the right | Bell as she leaves the restaurant | 5 seconds |
54 | Long shot of Jim | Static | Jim sparking a lighter from behind and walking away down the alleyway | 5 seconds | |
55 | Establishing shot | Static | Rita through a window of a family home, greeting her family | 10 seconds | |
56 | Establishing shot (to be shot twice) | Tilt down from sky then pan towards window | “” (to be shot twice) | 10 seconds | |
57 | Close-up from side (duplicate in bedroom) | Static | Rita in dressing table mirror | 5 seconds | |
58 | Long/mid-shot from behind | Static | Rita at dressing table turning and being kissed by man | 10 seconds |
Tuesday, 4 January 2011
Shooting Script
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment