We animated each individual shot of our storyboard on Quicktime software to create a multimedia preview of "The Lover Who Lied." We found this extremely useful in making decisions about the timing of shots and shot sequences creating meaning, as well as instrumental in visualising our production.
Tuesday, 4 January 2011
Shooting Script
Shot no. | Shot type | Camera movement | Action | Sound | Shot Duration |
1 | Long shot, establishing | Static | Rita is walking towards camera (as credits roll) | Heels (with music) | 1 minute (to be edited) |
2 | Low angle long shot | Static | Clock tower chiming | Clock chime & heels | 5 seconds |
3 | Extreme close-up | Tracking | High heels on concrete - MUD | Heels | 20 seconds |
4 | Close-up | Pan/whip-pan | Following Rita’s shoes as she passes (turning a corner) | 10 seconds | |
5 | Long shot | Tracking | Rita approaching restaurant from behind | 20 seconds | |
6 | Mid-shot (to be shot twice) | Upward tilt/pan of body, revealing face | Rita pausing outside rest., smoking, drops cig., enters rest. | 25 seconds | |
7 | Low angle mid-shot | Static | Sign/name of restaurant | 5 seconds | |
8 | Establishing shot | Static | Exterior of restaurant/through restaurant window | 5 seconds | |
9 | Extreme close-up | Static | Rita’s shoe stubbing out cigarette (edited in between smoking and entering rest.) | Final line of internal monologue | 10 seconds |
10 | Long shot | Static | Jim sitting wait in restaurant, checking watch | 20 seconds | |
11 | Extreme close-up | Static | Watch face | 5 seconds | |
12 | Long shot | Static | Rita entering restaurant – int. and walking towards table | Hubbub/ music? | 20 seconds |
13 | Close-up | Static | Jim’s face as he notices Rita | “” | 5 seconds |
14 | High angle mid-shot | Static | Jim speaks to Rita | Jim: “So you came” | 5 seconds |
15 | Long two/three-shot | Static | Rita removes gloves and has coat taken by waiter | Rita: “Of course” | 20 seconds |
16 | Close-up of note | Static | Note falls from Rita’s coat to floor | 5 seconds | |
17 | Two shot, mid | Static | Rita & waiter: eye contact | Rita orders a martini | 5 seconds |
18 | Close-up | Static | Jim’s sceptical expression | 5 seconds | |
19 | Three shot, mid | Static | Waiter leaves table | “Certainly” / “What was it you wanted…” | 10 seconds |
20 | OTS– Rita’s shoulder, focused on Jim (first camera) | Static | (Conversation ensues) | “You’re looking good Rita..” to “Oh I…” | 1 minute |
21 | OTS–Jim’s shoulder, focused on Rita (second camera) | Static | (Conversation ensues) | “” (duplicate take) | 1 minute |
22 | Close-up: Rita’s face (first camera) | Static | Conversation ensues, Rita’s evasiveness | “I’m sure I could do that…” (switch camera mid line) | 5 seconds |
23 | Close/mid-shot of Jim (second camera) | Static | Jims wary expression | “” (duplicate take) | 3 seconds |
24 | OTS– Jim’s shoulder, focused on Rita | Static | (Conversation ensues) | “You would?...” “With or without the new dress” | 30 seconds |
25 | Close-up of Rita | Static | Rita arches an eyebrow | 3 seconds | |
26 | Mid-shot of Jim | Static | Jim leans back in chair, continues conversation | “I haven’t seen you lately… all the time” | 5 seconds |
27 | OTS–Jim’s shoulder, focused on Rita (first camera) | Static | (Conversation ensues) | “Well you know…” “How can a girl like you afford couture?” | 1 minute |
28 | OTS- Rita’s shoulder, focused on Jim (second camera) | Static | (Conversation ensues) | “” (duplicate take) | 1 minute |
29 | Close-up of Rita | Static | Rita’s defence | “Why I oughta… I need to freshen up” | 30 seconds |
30 | Mid-shot of Jim | Static | Rita’s defence | “” (duplicate take) | 30 seconds |
31 | Long, two-shot, slightly low angle, then pan follows Rita | Static, followed by pan | Jim sitting, Rita stands, then walks to toilets. | “I love you Jim… straight down the line” | 10 seconds |
32 | Mid-shot of Jim | Static | Jim’s reaction | 5 seconds | |
33 | Close-up (match-on action) | Static | Rita’s hand pushing through door | 5 seconds | |
34 | Long-shot of Jim and Rita’s empty chair | Static | Drums fingers on table, and swigs brandy, notices | 5 seconds | |
35 | Extreme close-up of note on floor | Static | 5 seconds | ||
36 | Mid-shot of Jim | Static | Jim bends to pick up note, and straightens back up to read | 5 seconds | |
37 | Mid-shot to close-up of Jim’s face | Zoom or static | Jim’s reaction as he reads note | 5 seconds | |
38 | OTS, long-shot of Rita | Tilt/pan | Following Rita as she re-enters restaurant area and sits | 5 seconds | |
39 | Mid-shot of Jim (first camera) | Static | Gazing at Rita inscrutably, before speaking | Pauses – “You’re good Rita, very good” | 30 seconds |
40 | Mid-shot of Rita (second camera) | Static | Rita stares back confidently | Pauses - “You’re good Rita, very good” | 30 seconds |
41 | High angle close-up of Jims hand | Upward tilt towards Rita | Following Jims hand with note | 5 seconds | |
42 | Close-up of Rita, slightly high angle | Static | Rita’s reaction | 5 seconds | |
43 | Close-up of Jim | Static | Jim speaking | “But you’re no good for me” | 5 seconds |
44 | Two, long shot | Static, then pans after Jim | Jim drains glass, rises, leaves a banknote and exits the restaurant | 5 seconds | |
45 | Slightly high angle mid-shot from behind | Static | Rita takes note and opens it | 5 seconds | |
46 | Extreme close-up of note in her hands | Static | Audience read the message within | 5 seconds | |
47 | Long-shot of Rita and Jim’s empty chair, then closes in on the table at high angle (first camera) | Static, then moves towards table | Waiter approaches and leaves the drink. Rita pockets the note and smashes the cocktail. She puts on a ring and leaves | 10 seconds | |
48 | Close-up of cocktail (second camera) | Static | Cocktail glass smashes on floor | 3 seconds | |
49 | Extreme close-up of Rita’s hand | Static | Rita puts the ring on her ring finger | 3 seconds | |
50 | Long/mid shot from side | Static | Rita looking in the toilet mirror | 5 seconds | |
51 | Close-up from side | Static | Rita applying lipstick | 5 seconds | |
52 | Long/mid shot from side | Static | Rita puts lipstick away, smoothes clothes and leaves | 5 seconds | |
53 | Establishing shot of exterior of restaurant (as used before) | Static | Rita leaves through the front door and walks off to the right | Bell as she leaves the restaurant | 5 seconds |
54 | Long shot of Jim | Static | Jim sparking a lighter from behind and walking away down the alleyway | 5 seconds | |
55 | Establishing shot | Static | Rita through a window of a family home, greeting her family | 10 seconds | |
56 | Establishing shot (to be shot twice) | Tilt down from sky then pan towards window | “” (to be shot twice) | 10 seconds | |
57 | Close-up from side (duplicate in bedroom) | Static | Rita in dressing table mirror | 5 seconds | |
58 | Long/mid-shot from behind | Static | Rita at dressing table turning and being kissed by man | 10 seconds |
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